Movies by Rosa von Praunheim

Can I Be Your Bratwurst, Please?

Can I Be Your Bratwurst, Please?

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Dead Gay Men and Living Lesbians

Dead Gay Men and Living Lesbians

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Umsonst Gelebt: Walter Schwarze

Umsonst Gelebt: Walter Schwarze

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walt...

I Am My Own Woman

I Am My Own Woman

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

Pfui, Rosa!

Pfui, Rosa!

German iconoclast filmmaker and gay-rights activist Rosa vonPraunheim examines his own life and career in the documentary Phooey Rosa! With a quickly paced editing style, the film is a mix of personal banter, candid interviews, and clips from his filmography. It also includes footage from his early film Bed Sausage to his later work Neurosia. At the age of 60, vonPraunheim reveals intimate details about his past relationships and his childhood growing up after WWII. He also implicates some of his friends and inspirations, including Luzi Kryn...

Silence = Death

Silence = Death

AIDS victims and activists cope with hardship and society’s ignorance.

Army of Lovers or Revolt of the Perverts

Army of Lovers or Revolt of the Perverts

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

Die Bettwurst

Die Bettwurst

It is love at first sight: elderly secretary Luzi and young, unemployed Dietmar find each other by accident in Rosa von Praunheim’s outrageous genre, social satire.

King of Comics

King of Comics

You may not recognize the name Ralf König, but you probably recognize his art. One of the most commercially successful German comic book creators, he is best known for books like “SchwulComix (GayComix)” that offer a twisted take on queer culture. Equal parts Tom of Finland and R. Crumb, König’s comics are sexually charged and often politically incorrect, portraying daily routines of gay life alongside serious subjects like AIDS. King of Comics is a touching portrait of a cutting-edge artist with a wicked sense of humor. All hail the king!...

Men, Heroes and Gay Nazis

Men, Heroes and Gay Nazis

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”

Darkroom

Darkroom

Lars, a male nurse from Saarbrücken, moves to Berlin with his lover, Roland. They begin to renovate an apartment and their happiness seems almost complete. What Roland doesn’t know is that, while secretly checking out Berlin’s night life, Lars is also experimenting with a deadly poison.

Rent Boys

Rent Boys

Documentary about the current hustler scene in Berlin. Based on interviews with former and active prostitutes, the realities of male prostitutes in Berlin are treated. The film is objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.

Auf der Suche nach Heilern

Auf der Suche nach Heilern

“I am a hypochondriac”, admits Rosa Von Praunheim, the icon of the gay movement, right at the beginning at the film. The director, who turned seventy in 2012, is afraid of cancer, and he actually suffers from glaucoma, with osteoarthritis in his big toe. Von Praunheim is interested in alternative medicine and goes on a foray into the scene.

Neurosia: Fifty Years of Perversity

Neurosia: Fifty Years of Perversity

Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movi...

Queens Don’t Cry

Queens Don’t Cry

Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.

Friendship of Men

Friendship of Men

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in...

Horror Vacui

Horror Vacui

Shot in a neo-expressionist style, the film is a satire on cults of any kind. The plot follows Frankie and Hannes, a young gay couple living in Berlin. One is studying art and the other medicine. Their happy life is disrupted when Frankie attends a lecture and quickly becomes involved in a sinister cult operating as a self-help group called “Optimal Optimism”. Madame C, a former Nazi party member, is the leader of Optimal Optimism. When the cult members discovers that Frankie is gay, he is repeatedly raped by both men and women of the group....

Dreißig Jahre an der Peitsche

Dreißig Jahre an der Peitsche

A portrait of Rosa von Praunheim's neighbor, who worked for decades as a professional dominatrix in Berlin's Wilmersdorf district. While the real Lady MacLaine reflects authentically and wittily on her life and work, her life is retold in dramatized scenes.

Was die Rechte nicht sieht, kommt erst recht aus dem Ohr heraus

Was die Rechte nicht sieht, kommt erst recht aus dem Ohr heraus

Early Rosa von Praunheim short film. Originally intended to be the ending of "Die Bettwurst".

Tally Brown, New York

Tally Brown, New York

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film...