Profesor na bielom koni

Núraddín Ali a Anísaldžalísa

Plač pre syna

Orol a lastovička

Debny

Brezová víla

Every Week Seven Days

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.

Ráno pod mesiacom