In November 2001, Quebec Painter Edmund Alleyn (1931-2004) agreed to be filmed in his Montreal studio by his daughter, filmmaker Jennifer Alleyn. There, something unexpected happened : an authentic encounter, with no beating around the bush, no mask. From a few existential questions –about life, painting, death- thruth emerged. The artist died of cancer in December 2004 before Jennifer could film him again. After inheriting his studio, she found herself in this sacred space, still imbued with the presence and imagination of her father. Her f...