Movies by Ryūsuke Hamaguchi

Evil Does Not Exist

Evil Does Not Exist

Takumi and his daughter Hana live in Mizubiki Village, close to Tokyo. One day, the village inhabitants become aware of a plan to build a camping site near Takumi's house offering city residents a comfortable "escape" to nature.

Drive My Car

Drive My Car

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Wheel of Fortune and Fantasy

Wheel of Fortune and Fantasy

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

I Love Thee for Good

I Love Thee for Good

While the wedding day should be blissful for the bride, Eiko, there is a secret that she can’t tell her fiance...

Happy Hour

Happy Hour

Four women in their thirties reevaluate their relationships, both shared and private, after a startling revelation concerning one's marriage forces each of them to ask one of life's biggest questions: "Am I who I want to be?"

Intimacies

Intimacies

Hamaguchi wrote and directed this film as a graduation project for the students at ENBU Seminar (film and theater school in Tokyo) when he taught there. It is a three-part film: The first part is a documentary-style production of a play; Then the actual full stage production of the play; and the epilogue. Poetry and written words play the central role in the movie.

Asako I & II

Asako I & II

Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.

The Depths

The Depths

Korean photographer Bae-hwan and gay japanese hotel employee Ryu work together on a series of photographs. Their relationship crosses uneasily between friendship and love, while they also battle their own internal scars. Their salvation comes by their photographs which helps them find the meaning of their lives.