Movies by Júlio Bressane

Tabu

Tabu

The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.

Memoirs of a Strangler of Blondes

Memoirs of a Strangler of Blondes

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

The Long Voyage of the Yellow Bus

The Long Voyage of the Yellow Bus

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning...

Crazy Love

Crazy Love

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of America...

A Familia do Barulho

A Familia do Barulho

A dysfunctional family, composed of a prostitute and two gays, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.

Drumming Beat of the Stars

Drumming Beat of the Stars

An essay around the streets, as an homage to Fernando Pessoa

Lima Barreto: Trajetória

Lima Barreto: Trajetória

Watch Out, Madame

Watch Out, Madame

Two maids decide to rebel against the society that oppresses them and start murdering their own mistresses.

Dark Galaxy

Dark Galaxy

"They are combinations of fragments. There are no stories, it is possible to mount these fragments in many ways. »Cine-eye or cine-voice-eye. The text of the Galaxies goes straight to the image. »A text rewritten for the eye» (H. de Campos).

Viola Chinesa

Viola Chinesa

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

Ver Viver Reviver

Ver Viver Reviver

In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up making two movies.

Killed the Family and Went to the Movies

Killed the Family and Went to the Movies

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Naive Cinema

Naive Cinema

An essay film on the editing of erotic movies.

Oswaldianas

Oswaldianas

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

Face To Face

Face To Face

The story of a civil servant who lives with his elderly mother. Falling in love with a corrupt politician's young and rich daughter, he abandons himself to crazy and violent situations.

Baron Olavo, The Horrible

Baron Olavo, The Horrible

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horr...

Kid

Kid

Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.