Movies by Penelope Spheeris
The Little Rascals
When nine-year-old Alfalfa falls for Darla, his "He-Man-Woman-Hating" friends attempt to sabotage their relationship.
The Beverly Hillbillies
Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck
Wayne's World
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
The Boys Next Door
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence escalates throughout.
Hats Off to Hollywood
Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decl...
The Decline of Western Civilization Part II: The Metal Years
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
The Real St. Nick
A pretty psychiatrist is saved from an accident by a man who, after hitting his head on a rock, believes he is Santa Claus. As she nurses him back to health at her institute, he brings the spirit of Christmas to the hospital.
Uncle Tom's Fairy Tales
A white man goes on trial for having raped a black woman.
Visitors from the Unknown
A look at the Travis Walton abduction
I Don't Know
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
We Sold Our Souls for Rock 'n Roll
Penelope Spheeris presents an amazing chronicle of the travelling musical carnival known as OZZfest, the most successful summer concert tour for the last five years. Complete access to incredible material sends this documentary film into the realm of pure entertainment. Unforgettable moments from zealous religious protesters, outrageous fans and the guys (and girls) backstage provide an insightful view into the soul of white, middle-class America. A stunning and sometimes disturbing glimpse of a cultural movement, this film is sure to be a r...
Bath
Made in an environment and at a time when frequent and gratuitous images of nude women permeated the work of her male counterparts, director Penelope Spheeris produced this intimate and sensual observation of a woman bathing. The appearance of Spheeris’ credit at the beginning of the film seems to ask the question: how does voyeurism change when we know the voyeur is actually a voyeuse? 16mm, b/w, 6 min. Director: Penelope Spheeris. Preserved by the Academy Film Archive in 2014.
Rap's Most Wanted
Documentery from 1991 where The 2 Live Crew, Chuck D (Public Enemy), Too Short, Ice-T, Geto Boys, H.W.A. drop real talk on different topics.
No Use Walkin' When You Can Stroll
One-time carny, bartender, and married 10 times, director Penelope Spheeris’ mother was an uncommon woman. In this sweet, funny, and moving video portrait, Spheeris gives us a vivid glimpse into the richness of her mother’s life and character. 35mm, color, 11 min. Director: Penelope Spheeris. 1998. Preserved by the Academy Film Archive in 2013.
The National Rehabilitation Center
Two years before Peter Watkins’ Punishment Park (1971), director Penelope Spheeris takes the McCarran Act to its inevitable next step and shows us—via an early use of mockumentary—what the U.S. might be like if potential subversives were simply locked up en masse before they had a chance to subvert anything. 16mm, color, 12 min. Director: Penelope Spheeris.1969. Preserved by the Academy Film Archive in 2016.
Shit
An unfinished archival short, in which the titular substance plays a key role in determining an outmoded man’s role in a changing society. Preserved by the Academy Film Archive in 2013.