Movies by Nagisa Ōshima
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In the Realm of the Senses
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
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Empire of Passion
In a small Japanese village at the end of the 19th century, a rickshaw driver's wife takes on a much younger lover and the two conspire to murder him.
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Merry Christmas, Mr. Lawrence
Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.
Rahman: Father of Bengal
Documentary about the politician Sheikh Mujibur Rahman.
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Pleasures of the Flesh
A corrupt businessman blackmails the lovelorn reprobate Atsushi into watching over his suitcase full of embezzled cash while he serves a jail sentence.
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The Sun's Burial
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her win...
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The Catch
Towards the end of the Second World War, a downed U.S. pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their “catch.”
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Three Resurrected Drunkards
Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.
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The Forgotten Imperial Army
Oshima exposes the fact that many wounded soldiers cannot receive compensation from the Japanese government because of their Korean nationality, while questioning if this is a just way for the Japanese to act. The documentary uses TV to problematize the apathy of the Japanese people. According to Oshima’s 'The Idea of Evil and Cruelty' and Sato Tadao’s 'History of Japanese Documentary Film', the actual situation was much more serious and harsher than the documentary depicts.