Studies in Transfalumination

Modified flashlights and stripped down video projectors explore the visual complexities of the ordinary world: a tunnel, a clump of grass, a discarded table, the underside of a bridge, fog, a piece of rock and a tree. All the images were shot in real time, there is no animation, but through the power of a peculiar form of illumination they become mysterious and evocative.

The Man Who Could Not See Far Enough

A film that uses literary, structural, autobiographical, and performance metaphors to construct a series of tableaux that evoke the act of vision, the limits of perception, and the rapture of space.

The Pressures of the Text

1983 Peter Rose short film. A parody of art/critspeak, educational instruction, gothic narrative and pornographic diction, it has been performed as a live work at major media centers and new music festivals in the US and Europe.

Incantation

Using rapidly edited, superimposed images of plants, trees, water, the sun and the moon, Incantation weaves a dynamic tapestry of organic forms and textures, combining its images with a fierce rhythmic intensity so as to suggest a kind of natural force. The film was shot entirely in the camera, in 8mm, according to a pre-arranged, music-like score, and then blown up to 16mm using a home-made optical printer. The accompanying sound track, a chant taken from Islamic liturgy, is breath-based and brings the film into the form of a prayer. Writte...