Abel Gance et son Napoléon

This documentary focuses on the making of the 235-minute, silent epic Napoleon, the masterpiece of French director/writer/actor Abel Gance. Napoleon showcased Gance's talents with the camera, his use of multiple-images (like a split screen), and his handling of crowded action scenes -- all brought forward in this documentary by his later assistant, Nelly Kaplan. While Gance was shooting Napoleon in 1925-26, he and his crew were also being filmed for a documentary titled Autour de Napoleon. The only extant reels from that documentary are incl...

Nea

In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year-old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year-old publisher but he drops her for her older sister.

Charles and Lucie

An old and poor couple, Charles and Lucie, scrape by working as a concierge and an untalented antique dealer, respectively. But one day, their dreary daily routine is disrupted by the surprising news that they have inherited a luxurious house in the South of France.

The Pleasure of Love

Guillaume de Burlador is a private tutor who hits a low point sufficiently severe for him to contemplate a somewhat theatrical suicide. Instead he is taken off by flying boat to a mad French colonial possession bedecked by mad servants and crazy decor. Three educated and rather gorgeous women live there, and they hire him to tutor a young teenager, but more with plans to seduce him in mind.

Velvet Paws

Bernadette Lafont and Michel Bouquet reteam with Kaplan as, respectively, a clairvoyant and a criminologist drawn into the orbit of widow Caroline Sihol; when the latter’s late husband Pierre Arditi turns out to yet have surprises up his sleeve for all of them, Kaplan hones in on the women’s by-necessity connection. The director foregoes her own cameo in favor of ones for colleagues Jean Chapot and Claude Makovski, both as nurses.