Two Graves

Margaret Powers—a middle aged, middle class doctor of pathology—seeks a path of vengeance when she captures and tortures the young man she believes murdered her son, but in a bid to extract a confession, that path to vengeance leads to tragedy and unearths deeply troubling truths.

The New Cinema

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.