Movies by Garin Nugroho

Siklus

Siklus

The story of a dancer who finds mysterious objects in the practice room. The things that brought her gave birth to a new spirit and choreography. Things from a mysterious man who turns out to be a maestro from the past.

Soegija

Soegija

This movie follows the story of Dutch East Indies' (now Indonesia) first indigenous bishop, Albertus Soegijapranata SJ, from his inauguration until the end of Indonesia's independence war (1940-1949).

The Hijra

The Hijra

In 1912, Javanese activist Omar Said Tjokroaminoto co-founds the Sarekat Islam party to fight injustices of the Dutch East Indies' colonial regime.

Samsara

Samsara

Samsara follows the story a man from an impoverished family who is rejected by the wealthy parents of the woman he loves. He strikes a bargain with the Monkey King, performing a dark ritual to gain wealth but in the process, curses his wife and child into suffering. Rooted in Indonesian mysticism, this is a universal narrative about the insatiable hunger to be what one is not, and the boundaries one is prepared to breach to realize this. 

Siapa Dia..

Siapa Dia..

Layar, a popular film star who feels bored with his career and wants to make a musical theater set in a family history that is always linked to Indonesian film history.

Memories of My Body

Memories of My Body

Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.

Nyai: A Woman from Java

Nyai: A Woman from Java

Set in Indonesia's Dutch colonial era, in 1927, a young and beautiful woman lives with her sick and aged Dutch husband. This woman loses her own name and is called Njai, which means a foreigner's concubine, and realizes that she is living in a kind of prison, while she deals with loads of visitors to her residence. Director Garin Nugroho shows in a distinctive way how much effort a woman, deserted both by the colonial country's law and the colonized country's traditional culture, puts in to retain her dignity.