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A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

The Hundred Lei Bill

Arguing with his parents, Petre, a teenager, moves at his bigger brother, Andrei, a successful actor. There he meets Dora, one of his brother's young fans. When Andrei gives the girl his attention, Petre feels abandoned and runs away without even taking the hundred lei bill his brother had given him. A car runs Petre down. When he learns about this tragic accident, Andrei realizes - while watching his own smiling face in a musical on TV - that underneath his glittering success, he lives an empty life.