Sleep Has Her House

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

Hinterlands

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

Polytechnique

An audio-visual collaboration between Italian ambient/drone musician, Easychord and UK filmmaker, Scott Barley. Guided by Easychord's haunting, bodily piece, the Scott Barley's visuals explore and invoke the concepts of prisoner's cinema, stream of consciousness, repetition, the primordial body, fundamental entities, and astral planes.

Half Moon

A dance between moon and ocean, forests and rivers. A short film by Scott Barley, originally made for a "half moon phase" sequence for Tadhg O'Sullivan's essay film, 'To the Moon' (2020). Shot on iPhone Xs with various rephotographing techniques, combined with superimposed drawings and paintings by Scott Barley. Released as a standalone short film in 2024 as part of 'Short Films (2012–2020): Solo Works by Scott Barley' on Blu-ray.

The Green Ray

A Green Ray that never features. Instead, we sense it, seeing beyond our own eyes, beyond the hills, we sense it for an instant. We are plunged into the unknowable, beyond the horizon, beyond seeing altogether. In a single, virtuoso 11 minute take, Barley takes us from lush sunsets. to beyond the green ray, and into the gloaming, into the heavy night's darkness, where we, transfixed, can do nothing but await the impending storm.