Clandestinos

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.

Madrigal

Javier is an actor with an affinity for writing. When he begins his love story with Luisita, he does not know where the truth begins and ends. Fifteen years later he has converted his story into literature that relates his tragic love story in a creative way.

Puerto Rico

Presents a socio-economic analysis of present day Puerto Rico. Uses archival footage, re-enactments of historic events, and interviews with participants to recount the long history of U.S. involvement in Puerto Rico and the anti-colonial struggle.

Last Days in Havana

The story of a friendship in a city on the verge of substantial change. Miguel dreams of settling in New York while he waits for a visa that never seems to arrive, and Diego, a HIV-positive homosexual man, puts his dreams and cheerfulness to good use in his struggle to carry on enjoying every single day of his life from a rickety old bed in his small bedroom.

Hello Hemingway

The plot, set in Havana in the last period of Fulgencio Batista's dictatorship, follows a young girl whose aspirations to obtain a scholarship in America, against the odds, are paralleled with her reading of Ernest Hemingway's "The Old Man and the Sea".