Martyrs of Love

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

The Wolf from Royal Vineyard Street

The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.

Oratorio for Prague

Filmmaker Jan Nemec and his crew risked their lives to create this historic documentary account of the 1968 Soviet invasion of Czechoslovakia. The award-winning work is the only filmed record of the invasion. Oratorio for Prague began as a study of the liberalization of Czechoslovakia and then continued when the Russian forces moved in. The gripping footage was broadcast by television, providing the first report of the event. In addition to the news footage, the film features never-before-viewed scenes taken prior to the invasion that crushe...

A Report on the Party and the Guests

A picnic is rudely transformed into a lesson in political hierarchy when a handful of mysterious authority figures show up.

Late Night Talks with Mother

Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.