Movies by Dick Fontaine

I Heard It Through the Grapevine
Renowned Black writer James Baldwin retraces his time in the South during the Civil Rights Movement, reflecting with his trademark brilliance and insight on the passage of more than two decades. From Selma and Birmingham and Atlanta; to the battleground beaches of St. Augustine, Florida, with Chinua Achebe; and back north for a visit to Newark with Amiri Baraka, Baldwin lays bare the fiction of progress in post–Civil Rights America, wondering “what happened to the children” and those 'who did not die, but whose lives were smashed on Freedom ...
Muscles from Outer Space
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3...

Art Blakey: The Jazz Messenger
A portrait of inspirational jazz drummer and teacher Art Blakey with Dizzy Gillespie, many pupils including Wayne Shorter, the Marsalis brothers, and a surprising new generation of musicians and dancers.
Heroes
A satire on celebrity with a cacophony of gossip merchants, publicists, and “a host of stars.”
In the Days of Greek Gods
One of the earliest posing-pouch films to feature sound.
I Am Curious Gay
On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.
Threads of Man
A sweet and almost theatrical story of an elderly tailor (Lester) reminiscing about youth before his own death. A pompous director calls Lester in to get a suit made, is he up to the task? Also, will the most important film of the directors life starring the most beautiful man in the world be made?

Tativille
Interview with Jacques Tati on the set of his 1967 film "PlayTime". Produced for the British television program "Tempo International".

Double Pisces, Scorpio Rising
One of the human trio is Dick Fontaine, the director, a thin, long-haired youth who has put together this highly personal exercise on something or other that runs, mercifully, for 58 minutes and comes from an English group of movie folk called the Tattooists. The second visitor to the animal abattoir is a pretty girl. The third is a porky, middle-aged man addicted to the expression, "Ya know?" The two men carry on a running argument about whether they should make a picture about pigs. "Are we making a movie, ya know?" says Fatso. "Where is ...

Sonny Rollins: Beyond the Notes
Sonny Rollins: Beyond the Notes uses his 80th birthday concert to look into the man and his music.

Who Is Sonny Rollins?
Portrait of the jazz great during his self-enforced exile from his audience as protest against the war in Vietnam. Filmed playing with students in Harlem, in the countryside, and on the Williamsburg Bridge, Rollins' melodic sense throughout the film is as probing as soulful as ever.
In Love Again
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)