Un popolo. Uno stato

Talking about the story of the Gaza genocide with other images and other words is possible. The discovery of some slides in a high school in Catania is the starting point for analyzing the origins of Israel's military occupation of Gaza by resorting to the etymology of the words used to describe what expressions like "terrorist" or "military occupation" mean, while the drawings of Amos, an Israeli child who portrays his imaginary friend Anya under the worried gaze of the babysitter May Golan, point out that most horror stories have deep roo...

Credere a tutto

Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.

In viaggio verso Alberto Grifi

7 April 2006 Alberto Grifi, a year before his death, is interviewed for the last time by Roberto Silvestri and canecapovolto. What emerges in the interview is the portrait of an underground filmmaker who was always intrigued by the dual aim of pursuing scientific and artistic research simultaneously, and whose cinema, influenced by Grotowski's method, was made by people whose objective was to understand how life works by interpreting roles that allow them to live experiences which were totally different from their own ones.