Screen Test: Jackie

Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.

Hedy

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

Lonesome Cowboys

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Since

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

Mario Banana II

Black-and-white version of Mario Banana I, in which Mario enjoys another banana.

Lupe

Mexican actress Lupe Vélez's final hours as she overdoses on Seconal.

Chelsea Girls

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Screen Test [ST80]: Marcel Duchamp

Marcel Duchamp alternates between scrutinizing the camera, and smiling and nodding in response to what seems to be a large crowd of off-screen admirers trying to get his attention. Occasionally he puts his fingers to his lips, indicating that he is not supposed to talk.

Sleep

Footage of John Giorno sleeping for five hours.

Screen Test: Amy Taubin

Andy Warhol Screen Test No. 335: Screen test of influential art critic Amy Taubin

Screen Test: Lou Reed (Coke)

Andy directs Lou Reed drinking a Coke.

Screen Test: Edie Sedgwick

Andy directs Edie for a screen test.

Screen Test [ST33]: Ann Buchanan

Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.

Bob Indiana, Etc.

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

Screen Test: Marisol

Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.

Henry in Bathroom

Henry Geldazhler was the first curator of 20th-century art at the Metropolitan Museum of Art, and during the early 1960s, was a close friend and confidante of Warhol.

Marisol - Stop Motion

Captures the sculptor Marisol posing among her work.

Screen Test: Ethel Scull

16mm, black and white film, silent, 4:30 min.

Shoulder

According to the first volume of the Andy Warhol film cat. rais., the film was probably shot on the same day as Jill Johnston Dancing. In the Stephen Koch filmography, Shoulder is listed as: "16mm, 4 minutes, B/W, silent, 16 fps. Filmed summer, 1964. Lucinda Childs' shoulder."

Jill Johnston Dancing

In 1963 and 1964, Andy Warhol captured dancer-choreographers Lucinda Childs, Yvonne Rainer, and Freddy Herko, and Village Voice dance critic Jill Johnston with his Bolex—performing in lofts, on rooftops, and at Judson.