Aquí se construye (o Ya no existe el lugar donde nací)

Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.

Animal de costumbre

Two friends meet again after many years, in Santiago. One of them, successful, refuses to help the other. But after changing his mind, he realizes that the man always wants more.

Hoy es jueves cinematográfico

It's Thursday, the day to go to the movies in Chile. Families see in the newspapers and advertisements the films that will be shown. Everything is prepared. A man attends a function and sitting in the audience, he gets excited when he sees his favorite images and actors on the big screen. The movie ends and the screen turns off. It is time to return to reality.

Dreams of Ice

In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of t...

The Other Day

The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.

The Way I Like It

Agüero interrupts the filming of 5 films that are being made in Chile in 1984, to ask each director the meaning in their work, at a time when making films in Chile was almost prohibited.  

My Grandmother's Mother Told My Grandmother

Gathered by a theater company, a small town in Chile called Villa Alegre, looks deep into its origins and myths to tell their own history through a play.

Como me da la gana II

Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.