Carna

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.

Paranoia

A man is under the illusion he is a wanted war criminal.

De blinde fotograaf

A journalist has to interview a blind photographer.

Flanagan

Paul Flanagan is released from jail after serving for 8 years. He only has two things on his mind. First: to retrieve the money from the robbery he was convicted for. Secondly: to get revenge on his partners in crime (his half-brother Paul and his ex-lover Cathy), who got away Scot free and never once visited him in jail.

The Mantle of Love

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.

That Way to Madra

A conscript is given leave to visit his wife who has been admitted to hospital after a road accident. Dutch student film in the vein of the French Nouvelle Vague, praised at the time by directors like Godard and Bertolucci.