Movies by Kevin Jerome Everson

A Week in the Hole

A Week in the Hole

A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.

Second Shift

Second Shift

A correctional officer’s daily routine of gaining access into a correctional facility.

Six Positions

Six Positions

Six Positions (1998) is about task of a funeral home director.

Black Bus Stop

Black Bus Stop

Students reclaim a popular gathering spot on the campus of the University of Virginia, Charlottesville.

The Reverend E. Randall T. Osborn, First Cousin

The Reverend E. Randall T. Osborn, First Cousin

The art of the cutaway.

Condor

Condor

The July 2, 2019 solar eclipse, filmed in 100% totality, over the Chilean coast, in 16mm black and white. Condor is the national bird of Chile.

From Pompeii to Xenia

From Pompeii to Xenia

From Pompeii to Xenia puts in echo times of innocence struck by disaster: the lightning tornado which had beaten down on the American city of Xénia in 1974 answers, at thousands of kilometers in distance and centuries apart, the mythical eruption of Vesuvius in 79. The extended panorama, derived through the crossing of history and from an intimate story and urban sociology, is the cinematic reconstruction of a personal history: of its historical and geographical conditions to its processing.

Undefeated

Undefeated

Short film in which we see DeCarrio Couley shadow boxing.

Tonsler Park

Tonsler Park

Tonsler Park observes, in black and white 16mm, the democratic process in action, at Charlottesville, Virginia voting precincts, over the course of Election Day, November 8, 2016.

Mansfield Product Company

Mansfield Product Company

A beautifully wrought superimposition in black-and-white, MANSFIELD PRODUCT COMPANY layers a crane demolishing a car with two young men installing a stove. The fact that this haiku on the industrial lifecycle was shot in Kevin Jerome Everson's hometown of Mansfield, Ohio, lends a personal dimension to the visual mingling of old and new. - Max Goldberg

Rita Larson's Boy

Rita Larson's Boy

Rita Larson's Boy portrays ten actors auditioning for the role of Rollo Larson in the 1970s sitcom Sanford and Son. Rita Larson's Boy is one of three films included in the Tombigbee Chronicles Number Two. The series of films are based on famous people and objects from Columbus, Mississippi. The actor Nathaniel Taylor, raised in Columbus, portrayed Rollo Larson (Rita Larson's boy) in the television series Sanford and Son. Tombigbee is the river the runs though Columbus.

The Mayberry Practice Calf

The Mayberry Practice Calf

Radiating the radical simplicity of a Lumière actuality, THE MAYBERRY PRACTICE CALF shows an African-American cowboy roping a hunk of tire again and again. "Calf roping is a discipline," Kevin Jerome Everson told an interviewer. "People practice it, they know the language of it and they know how to do it." Everson's camera evinces a comparable degree of discipline, with a single long take functioning as a montage through the serial repetition of the cowboy's action. We may wonder if we're watching a loop but gradually our eyes are drawn to s...

Cinnamon

Cinnamon

An experimental film that lifts the veil on the world of African American drag racing.

8903 Empire

8903 Empire

Kevin Jerome Everson and his collaborator Kahlil I. Pedizisai filmed the comings and goings in front of a trap house on Empire Street in Cleveland, Ohio. Loosely inspired by Andy Warhol's 1964 film "Empire," which also runs for eight hours.

Rhinoceros

Rhinoceros

"Rhinoceros" (Rinoceronte) involves the fascinating figure of Alessandro de Medici (played by Justin Randolph Thompson) as he makes a passionate appeal to rally the good people of Florence. Shot in the Villa la Pietra in Florence, in black and white video, and spoken in Italian, the film resembles a televised broadcast in the last days of Muammar Gaddafi. This short film sets the stage for Everson's upcoming feature, "Rhino" that will examine the parallel worlds of politics and performance in sixteenth century Italy and twentieth century Hol...

Glenville

Glenville

Portrait based on the first cinematic representation of Afro-American intimacy in the 1898 film Something Good-Negro Kiss.

Stone

Stone

Kevin Jerome Everson's single-take film of a street hustler's sleight-of-hand game takes its place in a rowdy crowd of onlookers. The camera stays focused on the man's fleet fingers while the audio is glued to his gift of gab: "Keep your eyes on that little red dot if you want to win cold cash money on the spot." Every bit the performer, the hustler makes us wonder whether the film itself might be a kind of shell game (with the seemingly raw immediacy of the shot concealing its artistic intentionality). - Max Goldberg

House in the North Country

House in the North Country

Described as being based on a play by Talaya Delaney, Kevin Jerome Everson' silent HOUSE IN THE NORTH COUNTRY is not your typical stage adaptation. For one, it is unclear where the rehearsal ends and the performance begins. Everson's close-ups offer a distinctly cinematic rendering of theatrical blocking, with the actors' repeated movements (a soldier’s salute, a woman's carrying a lit torch) taking on heightened significance. The plot remains obscure but Everson conjures a psychological intensity comparable to Maya Deren's studies for camer...

If You Don’t Watch the Way You Move

If You Don’t Watch the Way You Move

If You Don't Watch the Way You Move features Derek "Dripp" Whitfield Jr. and Taymond "choSkii" Hughes of the music group BmE composing and recording their latest composition, "Shiesty", in the Columbus, Mississippi studio of Jermaine "Country Blakk" Brown only to be interrupted by a John Cage score.