Brasilia, Contradictions of a New City

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília ...

The Priest and the Girl

In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a beautiful girl. This forbidden love affair soon turns into an unbridled passion.

Tropical Paths

In the island of Paquetá, professor investigates the genital vocation of vegetables and fruits, maintaining sexual relations with a watermelon. In his experiences, he counts on the interlocution of an attentive student.

Garrincha: Joy of the People

Documentary about the most famous dribbler in Brazilian Soccer (some say in Soccer's history!) at the zenith of his career, showing classic scenes of 1958 and 1962 World Cup. Garrincha was a very original and talented player, having curved legs. Women and alcohol were his passion, and the cause of his later decadence. After a glorious career, he died in financial misery, forgotten.

Cat Skin

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

The Poet of the Castle

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

The Master of Apipucos

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).