Like Water Through Stone

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

Aboio

Brazilian outback, cowboys preserve their age-old customs, communicating with their cattle in a form of plaintive singing known as Aboio. The chant resounds an improvised, ancient form that is an entrance to the life and the imaginary of the ancient Brazilian cattle drivers.

Acácio

After thirty years living in Angola, the Portuguese ethnologist Acácio Vieira, along with his wife Conceição, moves to Brazil bringing with him an extensive archive of the life of people of Angola and Portuguese colonizers. Weaving memories, images and personal stories, the film embarks on an affectionate journey of the couple’s past, while reconstructing a link of the three countries in which they lived.

Where I Grow Old

Two young Portuguese women try to put down roots in Brazil. Teresa is newly arrived; Francisca has been there a while. This sure-footed, loving portrait of two counterparts, attracting and repelling, is also an ode to Belo Horizonte: a city with no tourist attractions, but bags of atmosphere and lust for life.