Movies by Pierre Hébert

Between Science and Garbage

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

The Statue of Giordano Bruno

The Statue of Giordano Bruno

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The ca...

Adieu bipède

Adieu bipède

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).

Around Perception

Around Perception

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

Op Hop/Hop Op

Op Hop/Hop Op

A hand-made, scratched-on film experiment in intermittent animation. The images are a group of twenty-four visuals, all non-representational, which arrange and rearrange on the screen in many combinations. The result is a changing pattern of sound and image that has its own rhythm for eye and ear.

Memories of War

Memories of War

This haunting animation film, rich with symbolism, is the filmmaker's plea for a peaceful world in which to raise his newborn son. Using the menacing imagery of the howling wind, the artist provokes viewers to reflect on the insanity of war. While the film is symbolic, its message is unmistakably clear: unless there is an end to conflict, we will continue to see our children swept away like leaves in the wind.