Movies by Max Hattler
![1923](http://image.tmdb.org/t/p/w500/kStwMdvi8d4wG0zaDqID9cSoR27.jpg)
1923
One of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage (1876-1954). Based on Lesage's painting A Symbolic Composition of the Spiritual World from 1923.
![Collision](http://image.tmdb.org/t/p/w500/xJthmN0fUcWLxRhqmdlZeOImegT.jpg)
Collision
A soundtrack of nature gives way to motors and machines, then an explosion, followed by sounds of explosions and gunfire. On the screen are images as if in a kaleidoscope - of red, white, and blue shapes and of black and green shapes. Islamic and U.S. patterns appear and disappear. Is the collision one of dissonant colors, shapes, and images? Is warfare inevitable?
![Serial Parallels](http://image.tmdb.org/t/p/w500/c2noRBffleM7ZhsToexZnPx5OIJ.jpg)
Serial Parallels
This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing housing estates is reimagined as parallel rows of film strips: Serial Parallels.
![Shift](http://image.tmdb.org/t/p/w500/gK4Sp4UtGLGYJjuNpugoGq0CsXB.jpg)
Shift
An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' heightened awareness, when attempting to process or predict the end of the world.
![Nachtmaschine](http://image.tmdb.org/t/p/w500/4bKPi9VAvAi2jcsCprUXjSRxWCC.jpg)
Nachtmaschine
Night vs. light, music vs. motion, figuration vs. abstraction. Experimental video artist Max Hattler utilises distorted urban imagery and neon glare to create this entrancing short
![Divisional Articulations](http://image.tmdb.org/t/p/w500/vNREEE7fINPUW450ObpG5LrEo80.jpg)
Divisional Articulations
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
![P/S](http://image.tmdb.org/t/p/w500/7QJxoLTCBeoQZfaLhsenAqqHo3V.jpg)
P/S
A minimalist optical sound meditation on simplicity and repetition building complex arrangements of audio-visual oneness, where the most basic geometric shapes draw intricate visual and sonic patterns.
![Spin](http://image.tmdb.org/t/p/w500/rh5H9B7RSnU7q3saKETRxsdmj8u.jpg)
Spin
A complex choreography of re-animated miniature soldiers moving to the exquisitely synchronised command of a master manipulator. Toy soldiers against toy soldiers in the satirical animated short Spin
![1925](http://image.tmdb.org/t/p/w500/biqgutJ1UUhOb27vSXCghgjYTi4.jpg)
1925
1925 aka Hell is a animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage. 1925 is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1925.
![Drift](http://image.tmdb.org/t/p/w500/qfNtGfj9re89M8uMcisMLzLNgHU.jpg)
Drift
Drift by Max Hattler sees the body as a metaphorical landscape. Eerie and sometimes too close for comfort the film manages to transform the familiar and mundane into something poetic and mysterious. A narrative grows out of what at first seems like nothing, but by the time the journey is over the viewer is left wanting more. What has happened is uncertain and maybe unimportant. The mood is at the heart of this piece. One part horror film and one part nature study certainly makes for a compelling mix.
![O/S](http://image.tmdb.org/t/p/w500/x8JrdL6JbF2k03EXZJKYSx3qQoV.jpg)
O/S
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.