Movies by Eduardo De Filippo

De Pretore Vincenzo

De Pretore Vincenzo

Sogno di una notte di mezza sbornia

Sogno di una notte di mezza sbornia

Pasquale Grifone, who lives in Naples with his family, receives in a dream the visit of Dante Alighieri. The poet suggests to the man, clouded by the fumes of alcohol, four numbers to play.

Non ti pago

Non ti pago

Questi fantasmi

Questi fantasmi

La paura numero uno

La paura numero uno

Ditegli sempre di sì

Ditegli sempre di sì

Li nepute de lu sinneco

Li nepute de lu sinneco

Natale in casa Cupiello

Natale in casa Cupiello

Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

Napoli milionaria

Napoli milionaria

Filumena Marturano

Filumena Marturano

Christmas at the Cupiello House

Christmas at the Cupiello House

Luca Cupiello lives with the wife Concetta, the son Tommasino, and a brother, Pasquale. The son is wild, living by gimmicks and stealing from his uncle; the daughter Ninuccia does not get along with her husband Nicolino and plans to run away with her lover Vittorio; the wife tries to hide her family's troubles from her husband. Luca, who silently suffers the family situation, takes refuge in setting up the Nativity scene.

Il Cilindro

Il Cilindro

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Uomo e galantuomo

Uomo e galantuomo