Stars at Noon

In present-day Nicaragua, a headstrong American journalist and a mysterious English businessman strike up a romance as they become embroiled in a dangerous labyrinth of lies and conspiracies and are forced to try and escape the country.

I Can't Sleep

Ninon is a spirited hotel-manager who teaches self-defense classes to her terrified eldery neighbors. Daiga, an aspiring Lithuanian actress newly arrived to Paris, becomes fascinated with the life of a mysteriously beautiful drag performer.

Towards Mathilde

The french choreographer Mathilde Monnier and her preparation for her next performance is the main focus of this documentary. The choreography's practices and the bodies, everything is registered in some sort of anthropological way by the filmmaker's camera.

The Breidjing Camp

Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.

High Life

A father and his daughter struggle to survive in deep space where they live in isolation.

Man No Run

The film takes the form of a documentary report in which the director Claire Denis follows Les Têtes Brulées, a group of five musicians from Yaoundé in Cameroon, as they tour France.

Archetypal Library Concept for Kids in Clamart

Short documentary about an archetypal library concept for kids in Clamart.

Vers Nancy

A train conversation between an immigrant French woman and novelist Jean-Luc Nancy centering on the idea of intrusion within every foreigner (a more philosophical precursor to L'Intrus). A social commentary on the inherent fallacy - particularly in nations with a strong national identity like the U.S. and France - of the social notion that assimilation and integration embrace cultural differences; rather, it erases them.

Keep It for Yourself

Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.

Let the Sunshine In

Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.

May 15th.

A couple wakes up one sunny morning on the 15th of May. Apparently, they had the same nightmare and the day unfolds strangely. The next day, we are still on the 15th of May. Graduation work from La Fémis.

The Cry of the Guards

On a construction site in Senegal, as project supervisor Horn is welcoming his young partner Léone into the hut he shares with young and impetuous engineer Cal, a black man called Alboury appears outside the railings surrounding their quarters. Inflexible, hovering like a ghost in the darkness, he is determined to stay there until they return the body of his brother to him, who was killed on the site.

La Robe à cerceau

Short film based on a monologue by Jacques Nolot which he reads in a pub to a waitress.

Voilà l'enchaînement

With two actors and no sets, master filmmaker Claire Denis traces the arc of a strained relationship, with a focus on race and language. In this fraught arena, words omitted can be as potentially devastating as words used, and what is not seen can have greater political consequences than what is.

Jérôme Savary's Magic Circus

Part 4, Episode Nº 77, Chroniques de France (1964–1978) — This 4-part film covers the "Abstrels" of artist Jacques Potin (Bernard Queysanne); Paul Gauguin in Tahiti (Jean-Daniel Simon); the visit of a silversmith's workshop (Jacques Scandelari); and the theatrical burlesque troupe "Jérôme Savary's Magic Circus" (Claire Denis).

Contact

In 2014, artist Olafur Eliasson and filmmaker Claire Denis connected for the first time to explore and discuss their common fascination with phenomena that have not yet been fully explained by science – such as black holes – and their shared interest in abstraction. This short film by Denis, contemplating tests for Eliasson's work ‘Contact’, is one outcome of that conversation which would eventually lead to their collaboration on Denis's film High Life (2018), in which Eliasson designed the light installations at the films end.