The Wayward Cloud

Hsiao-Kang, now working as an adult movie actor, meets Shiang-chyi once again. Meanwhile, the city of Taipei faces a water shortage that makes the sales of watermelons skyrocket.

Goodbye, Dragon Inn

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.

A Confucian Confusion

Over the course of a few days, the paths of a group of young friends, lovers, and acquaintances in Taipei crisscross, prompting them to arrive at realizations about their lives.

The Skywalk Is Gone

A young woman wandering around meets a young man going to a casting call for a pornographic film.

Stray Dogs

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

Soul

Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, Chuan says, “I saw this body was empty, so I moved in.

Bear Hug

Dajun still lives with his father, who dates and plans to marry a ditsy starlet. The boy's mother is a flight stewardess, hence often away, and so Dajun's chubby cousin Yifen is often hired in as a child-minder. The relationship between Dajun and Yifen is, to say the least, abrasive, and Yifen bitterly resents being imposed on--especially when it seems that her own family is keen to get rid of her.

The Receptionist

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

Growth Period

It portrays the tumultuous life of a middle-class couple and the reshuffling of relationship dynamics when the woman's young assistant and their landlord become involved, presenting urban life as observed by Yang through a multitude of rapid dialogue.

My Stinking Kid

Drama about a young boy who suffers from a rare deficiency disease. The medicine he has to take every day has the side effect of making him reek of ammonia. The consequent bullying and ostracism by schoolmates exacerbates the boy's sense of victimhood. His mother, meanwhile, runs a help-line for parents with comparable problems.