Mayura

Mayura challenges an arrogant wrestler and defeats him. Though never formally trained he has only learned techniques of wrestling by observing others. As a Brahmin he is required to study Vedas yet he is deeply interested in martial arts. Ranga Jetti, the premier wrestler in Kanchi, takes him under his wing and trains him. One day while observing the training of Pallava princes Mayura gets into a fight with and thrashes Vishnugopa, the Pallava prince, earning his enmity. Mayura has to flee Kanchi as per the advice of Ranga Jetti to escape f...

Shubhamangala

Hema and her friends lead a happy life with her father in a small town. Unfortunately, Hema's father passes away and she is forced to live with her cousin in a city.

Doorada Betta

The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.

Maga Mommaga

Maga Mommaga is a 1974 Indian Kannada-language film, directed by Y. R. Swamy and produced by R. Panduranga Naidu and D. R. Raghavendra Naidu. The film stars Dwarakish, K. S. Ashwath, Vajramuni and Balakrishna in the lead roles. The film has musical score by M. Ranga Rao.

Naagarahaavu

Although Ramachari falls madly in love with Alamelu, her parents forbid their marriage and force her to marry another man. But Ramachari can't stand idly by when he discovers his sweetheart's husband has become her pimp. Quietly aiding Ramachari on his quest to save Alamelu is Chamayya, a childless woman who loves him as much as if he were her own son.

Gejje Naada

When a man goes to his grandmother's village, he falls in love with a beautiful girl. However, a notorious criminal lusts over her and begins meddling with her life.

Muyyige Muyyi

Muyyige Muyyi is a 1978 Indian Kannada-language film, directed by Y. R. Swamy and produced by P. Krishna Raj. The multi-starrer is led by Srinath, Vishnuvardhan, Aarathi, Manjula, Roja Ramani and Chandrashekhar.

Shabdavedhi

Shabdavedi is about Sandeep Rajkumar, a strict police officer crusading against narcotics. The man is so straight that when his wife Jaya Prada refuses to reveal the identity of a key link in the drug ring that he is investigating. He beats her in lockup. Eventually he overcomes all the usual attempts to throw him off the chase like tarnishing his reputation and implicating him in lock-up death cases and tracks the ring down to its last man.

Sundara Swapnagalu

Bayaludaari

Bayaludaari is a 1976 Indian Kannada-language film directed and produced by the Dorai–Bhagavan duo. It is based on the novel of the same name by Bharathi Sutha. This was the first movie of the director duo without Dr. Rajkumar in the lead. The film starred Anant Nag, Kalpana, and K. S. Ashwath. It was a musical blockbuster with all the songs composed by Rajan–Nagendra considered evergreen hits. Bayalu Daari was the first commercial success for Anant Nag who had earlier done art films and established himself as a leading star in the Kannada c...

Sharapanjara

Kaveri and Sathish fall in love and get married and have a perfect life. However, Sathish's behaviour towards Kaveri changes when he finds out she was molested as a kid. The film revolves around the issues of a woman's chastity, the acceptance of mentally ill by society and unfaithful spouses.

Kasturi Nivasa

The story of an extremely generous and righteous man, Ravi Varma, who succumbs to his intention of being generous no matter what happens. The movie is based on a story, Kasturi Nivasam written by G. Balasubramanium. The film stresses the principle that "life is to give—not to take". The role of Ravi Varma, the protagonist played by Rajkumar is a character who upholds the values of life even it means his destruction; a person who is keen on retaining his character's purity and those morals he has cherished. Ravi Varma led a lonely yet righteo...

Sipayi Ramu

Sipayi Ramu is a 1972 Indian Kannada language film directed by Y. R. Swamy, based on the novel Barale Innu Yamune? by Nuggehalli Pankaja. The 2012 Hindi movie Paan Singh Tomar, based on the life of an Indian soldier turned dacoit Paan Singh Tomar had a similar storyline. This was also the first Kannada colour movie which was based on a novel.

Naa Ninna Bidalaare

Krishna refuses to accept Kamini's love for him. But when Kamini dies and her ghost possesses Krishna, his wife, Gayatri, tries to save him from this situation.

Daari Thappida Maga

Two estranged brothers, who could not be more different from one another, choose different paths in life and are eventually reunited by an unexpected twist of fate.

Jedara Bale

CID officer Prakash who operates by the code name 999, is assigned the task of safeguarding a chemical formula. Prakash's struggles begin when a gang of outlaws aim to steal the formula.

Sathya Harishchandra

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Mooruvare Vajragalu

This story is based on the epic of Mahabharatha.

Bangarada Panjara

Bangarada Panjara is a 1974 Indian Kannada-language comedy film directed by debutant V. Somashekhar and co-produced by actor Raja Shankar. It starred Dr. Rajkumar in the lead role along with Aarathi, K. S. Ashwath, Pandari Bai and Lokanath. The movie saw a theatrical run of 25 weeks

Mahishasura Mardini

Mahishasura Mardini is a 1959 Indian Kannada-language film, directed and produced by B. S. Ranga. The film stars Rajkumar, V. Nagayya, Udaykumar and Narasimharaju. It was dubbed in seven other languages and is retrospectively identified as amongst the first major Pan-India films.