Cremaster 4

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...

The Cremaster Cycle: A Conversation with Matthew Barney

For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.

The Body as Matrix: Matthew Barney's Cremaster Cycle

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extension...

Redoubt

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.