Jonas Kaufmann: Cavalleria Rusticana / Pagliacci

As comparably short operas, Cavalleria Rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival, Jonas Kaufmann did just that to rapturous praise. Universally hailed as a coup for Kaufmann, the plaudits were also showered on Philipp Stölzl for his innovative staging which includes live video projections while referencing the era of black-and-white movies.

Gounod Faust

Salzburg Festival’s first-ever performance of Charles Gounod´s most famous and most performed opera! Internationally-acclaimed tenor Piotr Beczala triumphs in the title role as soul-selling philosopher Faust: “Piotr Beczala is a world-Faust” (Kurier) and “The well-deserved crown goes to a perfectly-cast Piotr Beczala” (Abendzeitung). Ildar Abdrazakov was “celebrated” (Broadway World) for his signature role as seductive and demonic Méphistophélès. Maria Agresta as convincingly innocent Marguerite struggling to resist temptation and to gain sa...

The ROH Live: Otello

On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.

Turandot

Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Ca...

Carmen - Opéra National de Paris

The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.