Movies by Lawrence Chenault

Ten Nights in a Barroom

Ten Nights in a Barroom

A man pursues the vice lord who killed his daughter, but his journey leads to self-discovery and the desire for a better life.

The Brute

The Brute

The brute is a gambler,boxing manager and underworld boss who mistreats a young woman, who is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.

The Scar of Shame

The Scar of Shame

An educated, upscale young black musician marries a woman from a lower socioeconomic class to get her out of the clutches of her stepfather.

Birthright

Birthright

Birthright is a 1924 film by Oscar Micheaux in 10 reels, adapted from Thomas Sigismund Stribling's novel of the same title (1922).

Harlem After Midnight

Harlem After Midnight

Gangsters in Harlem make plans to commit a kidnapping.

A Son of Satan

A Son of Satan

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan...

The Gunsaulus Mystery

The Gunsaulus Mystery

The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank, a Jewish man, for the murder of Mary Phagan, a Christian girl. The film is now believed to be lost.

The House Behind the Cedars

The House Behind the Cedars

Directed by Oscar Micheaux.

We Work Again

We Work Again

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.