Charulata

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Joradighir Chowdhury Paribar

‘Joradighir Choudhury Paribar’ is the story of landlords, their ego, love and revenge. Despite ancestral differences, the Choudhury family’s landlord and Indrani, the landlady of Raktadaha decide to get married. But circumstances for him to marry Banamala to save her from Parantap Roy. Roy marries Indrani to take revenge against Jora Dighi. Misunderstanding turns lovers into enemies leading to their fatal end.

Letter from the Wife

A worthy companion to Ray’s Charulata, the film is based on a short story by Rabindranath Tagore where a young wife goes against her family to save a young girl from the atrocities of the society.

Ganadevata

Set in 1920's during the British Raj, the film is about the breakdown of socio-economic structures, impact of industrialization and non-cooperation movement in rural Bengal.

Shankhabela

Tripti's ill son has been admitted to the hospital. A teacher by profession, she visits her son every day after school. One day on her way, she comes across her estranged husband, Sunil Ganguly.

The Coward

Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative. Preserved by the Academy Film Archive in 2005.

The Rest Is Personal...

While shooting a documentary on true love, Pramit learns of a mysterious village named Mohini where anyone who enters will fall in love. He and his camerman decide to seek out this strange place.

The Creative Person: Satyajit Ray

In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.

Dibaratrir Kabya

Throughout her life, Supriya loved a man and was married to another man however she did not either escape from her responsibilities as a doting wife. However, her inner feelings keep tormenting her all her life and her married life becomes an utter failure. She not only ruins her life but everybody else's around her. In the end, her life becomes nothing more than fragmented pieces of broken images.

Bindur Cheley

Bindubasini, a young woman, faces conflicts in her married life. In an attempt to divert her attention, she decides to raise a child.

Chhadmabeshi

A romantic comedy, where a newlywed couple and their friend pulls a prank on the bride's unsuspecting elder brother and his wife. The groom poses as the driver for the family and the friend poses as the groom. What ensues is an all-time classic of Bengali Cinema.

Borunbabur Bondhu

Borun Chakraborty, a grumpy old man, leads a lonely life with his bedridden wife and an emotionally distant family. Things take a turn for the unexpected after the country's president gets in touch with him.

Ramer Sumati

The story centers around a character named Ram, a mischievous and cunning teenager who keeps the villagers on their toes with his antics. He steals fruit from trees, fish from ponds, and seems to get into constant trouble. Ram's brother, Shyam, works for the local zamindar (landlord) and has a domineering wife named Narayani. One day, Ram gets into a fight with the zamindar's son, which leads to Narayani taking a stand and refusing to speak to Shyam. Disappointed by this turn of events, he realizes his mistake when he loses the trust of his...