The Nurse on a Military Tour

Army Doctor Eva Marini wants to join a regiment to secure equal rights for women. So her commanding officer sends her off to a boot camp led by Renzo Montagnani, where only the most unruly soldiers end up.

L'assistente sociale tutta pepe e tutta sale

Nadia is a social worker who is trying to keep the residents of a local slum in line. Unfortunately she keeps neglecting her work and fantasizing about a life as a pop-star. When she falls for one of the residents in question, a small time crook called Bel Ami, she ends up an accomplice in a convoluted heist involving a holy Catholic relic.

The Night of the Last Day

A film director wants to make a politically charged movie, but is hampered by his producer. At the same time, a friend of his commits suicide, and he goes insane.

The Black Sheep

Mario and Filippo are two twin brothers, the honorable one want to bring morality back into Italian political life, as president of the Commission for the investigation of corruption. The other brother is a cynical trickster.

Even If I Wanted to Work, What Do I Do?

In Lazio, four young people named Riccetto, Girasole, Lallo and Tombarolo try to make a living by stealing what they find in the tombs of the rich buried. Being inexperienced, they often find themselves in trouble or pursued by the police.

Singing Café

Sor Clemente escapes the surveillance of his wife and goes to attend a variety show.

Last Feelings

Diego is a troubled runaway who tries to make something out of himself by joining a swimming team and competing in national tryouts and champion races which takes a turn when he is struck by a terminal illness and attempts to find a way to beat it.

Paris, My Love

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue be...