The Paternal House

A young woman is murdered by her own father, with the help of her younger brother. She is secretly buried in the cellar, a space where the women of the family weave carpets and perform other domestic chores. Her loss, or perhaps her presence, continues to haunt the family as it reverberates through the following generations. Ayyari’s film is staged exclusively in this house and was banned several times in Iran.

No Bears

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.