Déconstruction

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

L’Age de Bronze

La Cinémathèque offered the filmmaker Marcel Hanoun to make a retrospective of his work, a new film, the one of his choice: a "free" film, which means free to the filmmaker of to see and hear what he wants, who he wants, and, ideally, to make it known and heard by everyone.

October in Madrid

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

À la rencontre de Marcel Hanoun

Film about Marcel Hanoun at work while making his film Les amants de Sarajevo in 1993.

Cinexpérimentaux #6: Marcel Hanoun, A Lesson in Cinema

Marcel Hanoun, one of the most innovative of filmmakers, gives us what he names "a lesson in cinema." Frederique Devaux and Michel Amarger filmed this piece at his country house, composing an abundantly rich portrait. Film clips and sparks of theoretic bravura testify to the feverish creativity and the drunken agitation behind which lurks the ever-composed voice of the filmmaker.

Cello

A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.