Our Women

Four women weather sexual complications in this spicy comedy/drama. Talk-show host Helga grapples with her boyfriend’s mysterious celibacy; baby-craving Szilvi is a reluctant swinger; uptight Flora suspects her husband of seeing a hooker; and Vera’s mate doesn’t know about the sperm donor.

Bullhorn Lullaby

A hardcore soccer ultra, Gyula, and his wife, Mariann, long for a baby. But it turns out that Gyula is sterile and when their plans to adopt also go up in smoke, Mariann does a deal behind her husband's back: they will take in the soon to be born child of a young Roma woman. The ensuing state of affairs turns all of their lives upside down. While Gyula has to continually hide the truth from his racist friends, surprises await him in his private life, and when Cupid's arrow strikes him from the most unexpected direction, he is faced with both...

White God

13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.

Kills on Wheels

Two physically handicapped youngsters make friends with a paralysed hitman and are commissioned by a local mafia boss. They have little to lose although things are never as they first appear. The boundaries between fantasy and reality blur as the unlikely heroes stumble from one close encounter to the next and we gain an unusual insight into their lives on the periphery of society.

We are Azahriah

Attila Baukó, aka Azahriah is one of Hungary's most famous singer, who filled the biggest sport arena of the country with three consecutive concerts. But this film is not a concert film. It is not a music documentary. Nor is it a traditional portrait film. We are Azahriah is the story of a real and an imaginary journey inspired by Azahriah's life and songs.

Pile-Up

After a mass-collision in the morning rush, people from different backgrounds are forced to directly interact with each other.

Random

The Wednesday Child

History sometimes repeats itself. As a nine-year-old, Maja was abandoned by her mother and placed in an orphanage. Now it’s ten years later and she keeps returning to the institution – to visit her own four-year-old son. Will she be able to take control of her life despite the unfavorable circumstances and her own self-destructive tendencies?