I Have Nothing to Say

The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.

Girls Always Happy

Wu is in her mid-twenties and lives with her mother in a traditional one-story house in one of Beijing’s hutongs. Both consider themselves to be writers, but success has so far eluded them. The fact that Wu is supported by a divorced, elderly man helps the women through lean periods. Their unhealthily close relationship is characterized by reproaches and quibbling; only during meals do they appear to lay down their verbal weapons. The situation escalates when both Wu and her mother hit an emotional low.