Die Bombe

A terrorist drives a car to Hamburg's Rathausmarkt and unloads an unknown device that he claims can cause radioactive contamination. A special unit tries to subdue the man, but this reveals that the only way to prevent the explosion is to constantly readjust a transmitter, so they have to let him go.

The Deathmaker

Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this interrogation Haarmann reveals his motives and his killing methods.

Death Is My Trade

“Death is my Trade” centers on the life of Rudolph Höss, the commandant of Auschwitz II-Birkenau for the majority of its existence. The main character's name in the film is Franz Lang. This name change was deliberate to ensure that the character is not automatically viewed as being some sort of villain or demon. Franz is an average German kid growing up during World War I. The film follows Franz as he grows up and becomes a hard, efficient, organized worker who eventually joins the National Socialist party in Germany. Impressionable young F...

Europe in the Evening

Die Mädels vom Immenhof

Granny Jantzen lives with her three granddaughters Dick, Dalli and Angela on the small pony farm Immenhof in Northern Germany. Since the breeding of ponies isn′t profitable anymore, Granny Jantzen is struggling to keep the family property. During the summer break , young Ethelbert is spending his holiday with his cousins at Immenhof. While Angela has fallen in love with the wealthy land owner Jochen von Roth, Dick and Dalli have to put up with bigheaded urbanite Ethelbert.

Lola

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

The Last Days of Gomorrah

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.