Movies by Alastair Miles

Vespro Della Beata Vergine

Vespro Della Beata Vergine

This large-scale live recording (Gardiner's second) was made in Venice's St Mark's Basilica. It captures the drama as well as the ceremonial aspect of the work, despite sometimes cloudy recorded sound.” Gramophone Classical Music Guide. “Gardiner's second [recording of the Vespers], spectacularly recorded live in St Mark's, has a punchy choral sound, near-operatic solo singing (Bryn Terfel and Alistair Miles are among the basses), emphatic enunciation, big contrasts and deliberate exploitation of the building's spaces. Its outright theatrica...

Don Giovanni

Don Giovanni

Mozart’s Don Giovanni was first performed in 1787, and was based on the story of the Spanish lothario, Don Juan. The title character seduces, deceives and murders his way through the opera, doing his utmost to experience life, and all that it has to offer, to the full.

Berlioz: Les Troyens

Berlioz: Les Troyens

After a siege of ten years, the Greeks leave Troy. A giant wooden horse has been left on the beach. Despite Cassandra's dark premonitions, the offering is borne into the city...Pierre Audi directs Dutch soprano Eva-Maria Westbroek and American tenor Bryan Hymel in this epic Berlioz's opera, that requires an omnipresent chorus, a huge orchestra and a great virtuosity from the solists.

Wagner: Die Meistersinger von Nürnberg

Wagner: Die Meistersinger von Nürnberg

In “a Wagner staging to treasure” (The Sunday Telegraph), the 2011 Glyndebourne Festival brings to life the legendary German composer’s Die Meistersinger von Nürnberg. Staged by David McVicar, the production features an all-star cast of leads supported by the London Philharmonic Orchestra under the direction of Vladimir Jurowski.

Don Carlos

Don Carlos

Politics and love leads to a love triangle between father, son and stepmother.

Mozart Requiem and Mass In C Minor

Mozart Requiem and Mass In C Minor

Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.