Movies by Seema G Nair

Naan Petta Makan

Naan Petta Makan

Young leader Abhimanyu from Maharaja’s College in Kochi was one among millions, and the testimonials of his friends and well-wishers about him spoke volumes about his inner worth and the visionary that he was.

Kunjiramayanam

Kunjiramayanam

Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.

Maharaja Talkies

Maharaja Talkies

Maharaja Talkies is about Vimala (Urvashi) and her three sisters Ganga, Yamuna and Unnimaya running a film theatre that has been bestowed on them by their mother, before she died.

1983

1983

Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.

Names Unknown

Names Unknown

Film tells the story of marginalized people in Kerala through the life of a father who working as a temporary cleaner and his Eight year old son.

168 Hours

168 Hours

This horror thriller revolves around the 168 hours of a married couple. Many scary events creep into their life and this forms the crux of the movie.

Vallikkettu

Vallikkettu

Karinkannan

Karinkannan

Aana Mayil Ottakam

Aana Mayil Ottakam

Aana Mayil Ottakam is an anthology film. This is not really very common in Malayalam industry. But this concept is going on since ages and even legendary filmmakers like Satyajit Roy has tried this genre. It is always very interesting to see a collection of great short movies. You cannot get bored watching a movie like this. It is good to see that producers are interested in investing innovative concepts like this. Aana Mayil Ottakam is a compilation of short movies with some of the biggest names of Malayalam film industry.

Mayapuri 3D

Mayapuri 3D

The two odd stars that are granted to 'Mayapuri' are for the intriguing and yet almost invisible philosophical line of thought that stretches across its rutted narrative. Barring that single element, there is very little left in it that would impress the viewer looking for either entertainment or intellectual enticement.