Cinderella or The Glass Slipper

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and the...

The Roman Orgy

The tyrant Emperor Heliogabalus lives a life of debauchery and set lions loose among his guests.

In the Shadow of the Harem

An emir wants revenge on a secretary who posed as a rival to a beautiful woman. He holds in his palace which refers to himself as a trap, the wife of the secretary, and thinks of becoming her lover. The charm and nobility of the young woman end up softening the emir. He bows, returns her to her husband, and forgives the beauty.

Mimi-Trottin

Charming Mimi-Trottin is in love with typographer Louis Chausson, nicknamed Godasse. She meets Doudou, actually a Vicomte, estranged with his parents who are rich automobile manufacturers. Godasse abandons Mimi because of his professional ambitions and Doudou rescues her from a suicide. After making peace with his parents, the young man has Mimi hired as a typist at the factory. After winning a race with one of his father's car, he soon wins the heart and the hand of Mimi.