Movies by Mako Midori

Sleepy Eyes of Death 11: In the Spider's Lair

Sleepy Eyes of Death 11: In the Spider's Lair

The titular "tarantula" is a murderous woman who, along with the brother who is in love with her, kill without warrant because they are wealthy & above the law. Kyoshiro the homeless masterless wandering samurai has nothing to lose, & no scruples anyway, so can reproach even the powerful with ease. He is thus, for all that he has broad streaks of villainy all his own, a champion of the people by default.

Military Comfort Woman

Military Comfort Woman

Movie based on a book by Kakou Senda about the use of women as sexual slaves by the Japanese Army during WW2.

Three Resurrected Drunkards

Three Resurrected Drunkards

Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.

The Viper Brothers and the Young General

The Viper Brothers and the Young General

The last in the series. Sugawara runs into two mahjong cheaters (Ichiro Araki and Mako Midori + sidekick Takuzo Kawatani) whom he takes for friends in need as his naivety prevents him from seeing their true nature.

Stray Dog

Stray Dog

When his pistol is stolen, police detective Murakami is humiliated, especially when the gun is later implicated in a crime. Working with his superior, Chief Detective Sato, Murakami works feverishly to trace the location of his pistol, ultimately clashing with a gang of youthful Okinawans.

Ankoku gai jingi

Ankoku gai jingi

A big American boss landed in Japan in search of funding sources. A lone wolf trying to stop it ends up fighting against his big brother's organization and emerging powers. A huge gangster story depicting a three-way turf war on a large scale.

Pretty Devil Yoko

Pretty Devil Yoko

Easily bored, but still innocent and naive countryside girl (Mako Midori) discovers partying in Tokyo is a ton of fun. Yakuza-to-be (Ichiro Araki) is an acquaintance who tries to rape her, and the typically bland but very-good-here (Hayato Tani) the first boyfriend. Director Yasuo Furuhata (his first picture) lets his camera roll in trendy clubs amongst partying youngsters in a way that could've been out of 60s England or a Nikkatsu film.