The Showdown

European bad guy Baron Bendor leads some local townsmen in a plot to obtain horses through theft. Hoppy and his sidekicks Lucky and Speedy must find and expose the horse thieves.

Follow the Leader

A kooky waiter and sometimes vaudevillian promises to get his employer's daughter into a Broadway show. When he kidnaps the show's star, she gets her opportunity, as the understudy, to play the role and become a star herself.

Paradise Express

A small railroad is being squeezed out of business by the tactics of a trucking company owned by gangsters.

Country Gentlemen

After being run out of town after town for trying to sell worthless stock, two con artists breeze into the small town of Chesterville, where they find themselves accused of kidnapping a young boy to whom they offered a ride. When that misunderstanding is cleared up, the two conmen hatch a plot to unload all their worthless paper on the gullible citizens of Chesterville.

The Ghost Walks

A ghostly and deadly dinner party, which at first turns out to be an elaborate staging of a new play for the benefit of a Broadway producer, becomes a true mystery when the players start to go missing.

G-men vs. the Black Dragon

Japanese spies attempt to subvert America's war effort; G-Men attempt to thwart their plot.

Sunset of Power

Sunset of Power is regarded as one of Buck Jones' more meritorious Universal westerns. The heavy of the piece, grim-visaged cattle baron Neil Brannum, drives everyone around him mercilessly, including his own granddaughter Ruth. In retaliation, a caped-and-masked Spanish bandido stages nightly raids on Brannum's spread.

A Night for Crime

A dark night in war time, with several black-outs, it's just a night for murder. Susan Cooper, a fast-talking girl reporter, doubles as amateur sleuth solving yet another mystery among Hollywood's famous.

Outlaws of Pine Ridge

Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.

The Fourth Horseman

Retiring from a life of train robbing, Benjamin R. Jones takes over the ghost town of Stillwell, knowing full well that the property belongs to Molly O'Rourke. Enter horse wrangler Tom Mason, who smells a rat and does his best to unmask Jones as the crook he knows him to be. Molly at first falls for Jones' scheme, but confronts him when a general feeling of lawlessness sets in. The villain, alas, has an ace up his sleeve: Molly owes back taxes on her property, which is ripe for a takeover.

The Shadow

Mary Gillespie is restoring the Col. Gillespie Circus to its former splendor after her father's death. With the help of her publicist boyfriend Jim, the sell-out crowds are returning to the big top. Egotistical equestrian star Senor Martinet, however, holds $60,000 of notes signed by the Colonel and due in 24 hours. When a mysterious shadowy figure is seen on the circus lot, and Martinet is murdered in the center ring during his performance, there are suspects aplenty, including Vindecco, Martinet's badly abused hunchback assistant.

Ride 'Em Cowboy

A cowboy turns auto racer, beats his rival and wins a girl.

Border Flight

Frances Farmer's second film is a typical B-programmer from the Paramount lot of 1936--up and coming stars (John Howard, Robert Cummings, Grant Withers, Farmer) in a concerning the Coast Guard and smugglers. The chief points of interest are the truly exceptional aerial sequences and Farmer's early performance.