Perros de luna

It does not matter the sex of those who love each other, or so Gonzalo thinks. He is in love with Enrique and wants him to join his struggle to change the society that prevents them from living their love freely. Based in «El Público» of Lorca.

Bolívar, a Tropical Symphony

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.