Movies by Pahadi Sanyal

Bipasha

Bipasha

Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.

Marutirtha Hinglaj

Marutirtha Hinglaj

While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.

Saheb Bibi Golam

Saheb Bibi Golam

The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.

Dhoop Chhaon

Dhoop Chhaon

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

Maryada

Maryada

Maryada was a Bengali drama film directed by Digambar Chattopadhyay. This movie was released on 15 December 1950 under the banner of Bhabani Kalamandir Limited. This is the third and first movie in which legendary Bengali actors Uttam Kumar and Bibhu Bhattacharya appeared respectively. In this movie, Uttam Kumar leaps on a song for the first time in his career.

Jiban Trishna

Jiban Trishna

A philanderer, the only son of a wealthy doctor, is attracted to a poor orphaned artist. Her stepbrother loathes rich people, and would go to any extent to get money off them. What would happen if the roles reversed?

Devdas

Devdas

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a tawaif.

Deya Neya

Deya Neya

The son of a wealthy industrialist aspires to be a singer against the wishes of his father.

Bou Thakuranir Haat

Bou Thakuranir Haat

Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.

The Desolate Beach

The Desolate Beach

A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.

Sakher Chor

Sakher Chor

Indra catches a thief Kaanta in the night and tricks him into believing he's a famous thief himself who has made away with large sums of money in high-profile heists and thefts. Later, Indra enters a bet with his friends who bait him into pulling off a theft and he seeks Kaanta's help.

Mon Niye

Mon Niye

Suparna is distraught on seeing her sister getting close to her husband, Amitabha. Things take a turn for the worse when Amitabha's sister dies and the suspicion falls on Suparna.