Mi campeón

Catita is a simple and poor woman who dreams of that her son stands out on something important to help her out of his humble. But she opposes to him being boxer, therefore constantly fighting with her husband.

Cleopatra era Cándida

Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..

Mujeres que bailan

A woman dreams of being a great classical dancer and that the public cheers her on, which gives rise to the most absurd situations.

Una gallega en La Habana

Cándida's boyfriend left her in Spain to go to work to Havana. After twenty years without news, she decides to go look for him, although the only thing she knows of him is his name. In the port of Havana, she is confused with a jewel smuggler, which kicks off a series of comical events.

The Headless Woman

A gypsy performer and friend flee the circus troop they work for and find an old house to take refuge. Little do they realize that the house is haunted when they encounter strange men, frightening apparitions, and secret passages.

Dios los cría

Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees an...

Yo quiero ser bataclana

Catita intercedes when a producer courts a chorus girl who is director's girlfriend.