The Turn of the Screw

The operatic version of the famous story about a governess who fears her two charges are possessed.

Bach: St. John Passion

Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

Bach Matthäus-Passion

A beautiful, sensitive, reverent performance. Fischer allows Bach to speak with no unnecessary flourishes. Padmore as the Evangelist is superb, and the other soloists and choirs are near perfect. And of course the Concertgebouw orchestral musicians are absolutely first class.

Berlioz: Les Troyens

This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.

Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons

The Man in the Hat

The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.

Don Giovanni

Live performance at Théâtre de l’Archevêché du Festival d’art lyrique d’Aix-en-Provence 2002. Daniel Harding conducting the Mahler Chamber Orchestra and Choeur de l'Académie Européenne de Musique. Directed for stage by Peter Brook.