At the Meeting with Joyous Death

The premise deals with a family living in a country-house which turns out to be 'alive' – to the point where a TV crew is brought in to 'capture' the paranormal phenomena

Marcel Cerdan, une légende française

Et qu'ça saute !

A uranium deposit brings turmoil to the small South American republic of Guatalpa. Between two revolutions, the government tries unsuccessfully to decide whether the Americans, Soviets or Cubans will exploit the concession. Delegates from these nations spy on and betray each other to achieve their goal.

Ménage

Bickering couple Monique and Antoine are interrupted by bisexual burglar Bob while fighting in a bar. With husband and wife in need of cash, Bob teaches them the most efficient house burglary methods. Monique is attracted to the charismatic thief, but Bob is more interested in Antoine, who eventually succumbs to his attentions. As the trio continues living together, Monique grows unhappy about being ignored by both men.

Max and the Junkmen

A detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.

The Madman

Two young delinquents run away from a reformatory, across France with a front-wheel drive (Citroën) and live on thefts made here and there in a very crazy way...the police are on their heels, love for one of them is on their way, but so is the drama.

Fou comme François

Marseille. The director of a company offers a promotion to Francois (Michel Creton) if he accepts to help him fire all the staff from his office. If he refuses, he will himself be fired. Francois opts for the latter. He registers as unemployed and discovers what he has lacked so far in his life: a certain freedom. His habits are changing as well as his attitude towards the others changes ... Luce (Claude Jade), his wife, and Marquerite (Courtois Queen), her stepmother, are surprised: why he is not himself anymore?

Would-Be Gentleman

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.