Záhadný případ Galginův

Be Prepared!

Svatopluk Innemann’s film Be Prepared! presents the early Czech boy scout movement through a simple narrative. The film extols the virtues of hard work, honor and cooperation just as it displays the fun of wilderness exploration, group cohesion and outdoor leisure. Troop 30 visits numerous historic locations on their travels, such as Orlík Castle and St John’s Rapids.

Orfeus v podsvětí

Prach a broky

Válečné tajnosti pražské

No Cheating, Darling

For some time now, the residents of the placid little village of Sonnenthal talk only about one topic: Football! The ambitious mayor wants to promote the Sonnenthal team to the district league at any price because this success would also boost his own popularity. But he did not expect the resistance of the new head of school, Barbara, who is heavily annoyed by the one-sided focus. To bring Sonnenthal′s men and the mayor in particular to their senses, Barbara sets up a women′s football team that soon turns out to be a serious competition for ...

Moderní Magdalena

Mrtví žijí

Mary

Poor girl

The illegitimate child, Marie Růžová, grows up in the family of the Bořický miller. Childhood and youth spend with the son of Bořice, Klement. Klement asserts the rights, becomes a lawyer, and marries Jirina. In order not to cause further contradictions, Mary will go to Prague secretly at night. There he is living heavily as a waitress. He resists the insults of architect Jansky until he ultimately decides to commit suicide in despair.

Dalibor

Dalibor is a 1956 Czech film of the opera of the same name by Bedřich Smetana.[1] Directed by Václav Krška, the film was entered into the 1956 Cannes Film Festival.

Jindra, hraběnka Ostrovínová

Děvče z hor

Okovy

Dům ztraceného štěstí

Labakan

Povodeň

Gypsies

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmaker...